esto es un epígrafe

Esto vale como biografía en español a efectos del maquetado  Federico Lamas (Buenos Aires, 1979). He is a freelance Visual Artist (designer, filmmaker, illustrator and VJ). His works range from experimental videos, books, zines, VJ sets, posters, animation, album covers, installations, music clips or short films. Image and Sound Designer degree by Buenos Aires University.
His highlight residences are: Hannover (Up and Coming), São Paulo (Videobrasil) , México DF
(Pasagüero and Vértigo Galería), Santa Cruz de la Sierra (Kiosko Gallery) and Québec City (La
Bande video gallery) One of his last project was as regié for an experimental opera full of video-installation scenes based on “The Raven” by Poe and composed by Toshio Hosokawa, at Teatro Colón de Buenos Aires.
He has an on going project since 2009 called "Visión Infernal"/"Hellish Vision", where illustration and animations can be reveal hidden secrets with a red viewer (the hellish viewer). With this project you can find books, zines, prints, VJsets, installations and exhibitions distributed all around
the world.
During 2019, a new solo show was open at La Bande Video, Quebec City, also he took part for 5th time of the Videobrasil Bienal in Sao Paulo (he won in 2 editions) and also launch an new
publication together with a video exhibition in Mexico and São Paulo.
On the end of the year he released a new VJset, “PESSTO”, performed art Modern Art Museum of Buenos Aires, Bienal de Arte Joven de Recoleta and at Mutek Festival together with canadian artist and music producer RAMZi. On the 2020 the VJset was played with the Argentinian musician Axel Krygier and it took part of the International Festival of Films on Art in Montreal.

Federico Lamas

Federico Lamas (Buenos Aires, 1979). He is a freelance Visual Artist (designer, filmmaker,
illustrator and VJ). His works range from experimental videos, books, zines, VJ sets, posters, animation, album covers, installations, music clips or short films. Image and Sound Designer degree by Buenos Aires University.
His highlight residences are: Hannover (Up and Coming), São Paulo (Videobrasil) , México DF
(Pasagüero and Vértigo Galería), Santa Cruz de la Sierra (Kiosko Gallery) and Québec City (La
Bande video gallery) One of his last project was as regié for an experimental opera full of video-installation scenes based on “The Raven” by Poe and composed by Toshio Hosokawa, at Teatro Colón de Buenos Aires.
He has an on going project since 2009 called "Visión Infernal"/"Hellish Vision", where illustration and animations can be reveal hidden secrets with a red viewer (the hellish viewer). With this project you can find books, zines, prints, VJsets, installations and exhibitions distributed all around
the world.
During 2019, a new solo show was open at La Bande Video, Quebec City, also he took part for 5th time of the Videobrasil Bienal in Sao Paulo (he won in 2 editions) and also launch an new
publication together with a video exhibition in Mexico and São Paulo.
On the end of the year he released a new VJset, “PESSTO”, performed art Modern Art Museum of Buenos Aires, Bienal de Arte Joven de Recoleta and at Mutek Festival together with canadian artist and music producer RAMZi. On the 2020 the VJset was played with the Argentinian musician Axel Krygier and it took part of the International Festival of Films on Art in Montreal.

About NOO

NOO is a video-zine by Federico Lamas. Most of the images where filmed at the end of 2017 in the context of Biologica project curated by Mercedes Pérez Bergliaffa and it was postproduced during 2018.
BRUTAL Inc is a publishing project and presents the video as all Federico Lamas’s selfpublications (the printed and the video ones). Under this concept we can find many books under his Hellish Vision project, short-run zines from his exhibitions and video-zines (as installations or VJsets)
NOO put together testimonies and portraits from living beings from a former Zoo. Asking about if its enough to just change the concept from ZOO to eco-park. Why do zoos exist? Can they currently be justified in terms of science or entertainment? And what to do with wild animals, endangered and kept in captivity? This diptych videozine collects and interferes with images of caged animals to show the solitude and abandonment of this institution, whose pertinence is also discussed by zoo keepers. Between the images appear intertitles similar to those of silent movies, a suggestion that zoos are already, to some extent, part of the past. The installation is complemented by fanzines published by the artist that dialogue with the video.

Acerca de NOO

NOO is a video-zine by Federico Lamas. Most of the images where filmed at the end of 2017 in the context of Biologica project curated by Mercedes Pérez Bergliaffa and it was postproduced during 2018.
BRUTAL Inc is a publishing project and presents the video as all Federico Lamas’s selfpublications (the printed and the video ones). Under this concept we can find many books under his Hellish Vision project, short-run zines from his exhibitions and video-zines (as installations or VJsets)
NOO put together testimonies and portraits from living beings from a former Zoo. Asking about if its enough to just change the concept from ZOO to eco-park. Why do zoos exist? Can they currently be justified in terms of science or entertainment? And what to do with wild animals, endangered and kept in captivity? This diptych videozine collects and interferes with images of caged animals to show the solitude and abandonment of this institution, whose pertinence is also discussed by zoo keepers. Between the images appear intertitles similar to those of silent movies, a suggestion that zoos are already, to some extent, part of the past. The installation is complemented by fanzines published by the artist that dialogue with the video.